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LODOWN MAG o -website o -pics
On a recent trip to Berlin,
I finally had the chance to hang out at the infamous office of
Lodown magazine. Taking in all of the irreverent atmosphere that
is Lodown.
I first picked up a copy a few years back and was instantly blown away by its
blatant disregard of rules and structure yet still being able to create its own
recognisable image.
There are no restrictions for the magazine, no fixed area of type, no fixed type
size, no fixed fonts, no limitation on content or graphics. The only criteria
being that its roots lye deeply in Music, mostly hiphop, street and Boarding
Culture.
So what’s the magazine all about? Showing that things can be done differently,
I would say. It's about proving that things can be done differently. It's about
taking the chance to bend the rules. It's about twisting and turning ideas 'til
the result's interesting enough to put them on paper. It's about taking contemporary
pop- and streetculture serious without taking the whole bizz too seriously. It's
about getting rid of limitations. It's about embracing the idea of socialism
while making as much money as possible. It's about being able to be independent
while enjoying our own sellout. It's something for all the lovers. It's something
for all the haters as well.
Lodown magazine was born in the mid 90’s out of Berlin, given birth and
nurtured by a graphic designer, painter and illustrator
called Marok.
Marok was looking for the right platform to demonstrate
his fiercely independent and utterly involving vision of contemporary graphic
design.
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So it was just a logical conclusion for him to
transfer the freestyle attitude of rap and skateboarding on to paper.
Pretty soon Lodown kickstarted into a creative platform where ideas are exchanged
and developed. As a result there have been videos created and several books on
contemporary graphic design published. Furthermore Marok participated in several
exhibitions with the like of Futura and Haze and held a couple of solo shows
in Japan, Australia, the UK and Germany.
While developing his style in design and video fields, he found the time to raise
his own t-shirt brand UMD. He still appreciates t-shirts as a perfect canvas
for Pop Art.
Along side this Marok has also worked for the likes of Nintendo, Supreme, Adidas,
Stussy, Arktip magazine, Etnies on a limted sneaker and Fifty 24SF just to name
a few.
I was especially impressed on the colab he ran with Adidas on the limited book
on the 35th Aniversary of the Superstar.
For me it’s Marok’s inspirational Typographic work, which takes me
back to David Carson and his original works. Marok really does stamp his authority
on type and makes it his own.
If there’s a chance to bend the rules, to twist and turn them, he obviously
is the first one who’s up for it. Maybe that’s a result of sneaking
around at night, looking for the right spot for doing graff in his earlier years.
But maybe he just enjoys to challenge you by attacking your senses on every level
imaginable.
With all this mix it just goes to show that Lodown magazine in my eyes is definately
the European equivalent of the ever creative and influential American magazine
that was Ray Gun.
Check out Lodown magazine now not later, issue 49 is hot off the press.
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